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Early Modern Songscapes - English ayres and their dynamic acoustic environments


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  1. Home
  2. Ladies who gild the glittering Noon (x)
  3. Thou art so fair, and yong withall (x)
  4. Aged man that moves these fields (x)
  5. Fantasy (x)
  6. musical performances (x)
  7. Venus, redress a wrong that's done (x)
  8. Give me more Love, or more Disdain (x)
  9. Till I beheld fair Calia's face (x)
  10. Search results

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(21 - 24 of 24)

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Cloris your selfe you so excell (To the same Lady, singing the former Song)
Item
Cloris your selfe you so excell (To the same Lady, singing the former Song)
Form
musical performances
Songscape
Cloris your selfe you so excell
Be gone, be gone thou perjured man (No Constancy in Man)
Item
Be gone, be gone thou perjured man (No Constancy in Man)
Form
musical performances
Songscape
Be gone, be gone thou perjured man
Lovely Chloris through thine eyes (Love above Beauty)
Item
Lovely Chloris through thine eyes (Love above Beauty)
Form
musical performances
Songscape
Lovely Chloris through thine eyes
As Cælia rested in the shade (A Pastorall Dialogue betwixt Cleon and Cælia)
Item
As Cælia rested in the shade (A Pastorall Dialogue betwixt Cleon and Cælia)
Form
musical performances
Songscape
As Cælia rested in the shade

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Songscape

  • Songscapes Conference (14) + -
  • Theseus, O Theseus, hark! but yet in vain (4) + -
  • As Cælia rested in the shade (3) + -
  • Be gone, be gone thou perjured man (2) + -
  • Cloris your selfe you so excell (2) + -
  • Come my Lucasta heer's the Grove (2) + -
  • Cælia, thy bright Angel's face (2) + -
  • Lovely Chloris through thine eyes (2) + -
  • When thou, poor Excommunicate (2) + -
  • While I listen to thy voyce (2) + -
  • Amarantha sweet & fair (1) + -
  • I long to sing the seidge of Troy (1) + -
  • It is not that I love you lesse (1) + -
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