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Early Modern Songscapes - English ayres and their dynamic acoustic environments


  • About the Project
    • Project Description
    • Editorial Statement
    • Songscapes Team
    • Meet the Musicians
    • How to Use This Resource
  • Ayres and Dialogues
    • Table of Contents
    • Editions of Songs
    • Full Songbook Text
    • View Primary Source
    • Performances
    • Photo Gallery
  • Henry Lawes Resources
    • Why Henry Lawes?
    • Henry Lawes - Select Bibliography
    • Henry Lawes - Select Discography
    • Other Online Performance Examples
  • 2019 Conference
    • About
    • Public Recital
  • Contact Us
  • Search
  1. Home
  2. Ladies who gild the glittering Noon (x)
  3. Aske me why I send you here (x)
  4. When on the Altar of my hand (x)
  5. Grieve not, dear Love, although we often part (x)
  6. I long to sing the seidge of Troy (x)
  7. Songscapes Conference (x)
  8. music books (x)
  9. Lovely Chloris through thine eyes (x)
  10. Search results

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Early Modern Songscapes Conference - Recital Programme
Item
Early Modern Songscapes Conference - Recital Programme
Songscape
Songscapes Conference
Early Modern Songscapes Conference - Conference Programme
Item
Early Modern Songscapes Conference - Conference Programme
Songscape
Songscapes Conference

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Form

  • musical performances (17) + -

Songscape

  • As Cælia rested in the shade (2) + -
  • Come my Lucasta heer's the Grove (2) + -
  • Venus, redress a wrong that's done (2) + -
  • Amarantha sweet & fair (1) + -
  • Be gone, be gone thou perjured man (1) + -
  • Cloris your selfe you so excell (1) + -
  • Cælia, thy bright Angel's face (1) + -
  • Fantasy (1) + -
  • Give me more Love, or more Disdain (1) + -
  • It is not that I love you lesse (1) + -
  • Theseus, O Theseus, hark! but yet in vain (1) + -
  • Till I beheld fair Calia's face (1) + -
  • When thou, poor Excommunicate (1) + -
  • While I listen to thy voyce (1) + -
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