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Early Modern Songscapes - English ayres and their dynamic acoustic environments


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  1. Home
  2. Lovely Chloris through thine eyes (x)
  3. books (x)
  4. Amarantha sweet & fair (x)
  5. Careless of Love and free from Fears (x)
  6. Give me more Love, or more Disdain (x)
  7. musical performances (x)
  8. While I listen to thy voyce (x)
  9. It is not that I love you lesse (x)
  10. I long to sing the seidge of Troy (x)
  11. Search results

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(21 - 23 of 23)

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Cloris your selfe you so excell (To the same Lady, singing the former Song)
Item
Cloris your selfe you so excell (To the same Lady, singing the former Song)
Form
musical performances
Songscape
Cloris your selfe you so excell
Be gone, be gone thou perjured man (No Constancy in Man)
Item
Be gone, be gone thou perjured man (No Constancy in Man)
Form
musical performances
Songscape
Be gone, be gone thou perjured man
As Cælia rested in the shade (A Pastorall Dialogue betwixt Cleon and Cælia)
Item
As Cælia rested in the shade (A Pastorall Dialogue betwixt Cleon and Cælia)
Form
musical performances
Songscape
As Cælia rested in the shade

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Songscape

  • Songscapes Conference (13) + -
  • Theseus, O Theseus, hark! but yet in vain (4) + -
  • Venus, redress a wrong that's done (4) + -
  • As Cælia rested in the shade (3) + -
  • Be gone, be gone thou perjured man (2) + -
  • Cloris your selfe you so excell (2) + -
  • Come my Lucasta heer's the Grove (2) + -
  • Cælia, thy bright Angel's face (2) + -
  • When thou, poor Excommunicate (2) + -
  • Fantasy (1) + -
  • Till I beheld fair Calia's face (1) + -
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