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Early Modern Songscapes - English ayres and their dynamic acoustic environments


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  1. Home
  2. Lovely Chloris through thine eyes (x)
  3. While I listen to thy voyce (x)
  4. Sing fair Clorinda whilst you move (x)
  5. Till now I never did believe (x)
  6. musical performances (x)
  7. As Cælia rested in the shade (x)
  8. Fantasy (x)
  9. Search results

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(21 - 23 of 23)

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Cælia, thy bright Angel's face (The Celestiall Mistress)
Item
Cælia, thy bright Angel's face (The Celestiall Mistress)
Form
musical performances
Songscape
Cælia, thy bright Angel's face
Cloris your selfe you so excell (To the same Lady, singing the former Song)
Item
Cloris your selfe you so excell (To the same Lady, singing the former Song)
Form
musical performances
Songscape
Cloris your selfe you so excell
Be gone, be gone thou perjured man (No Constancy in Man)
Item
Be gone, be gone thou perjured man (No Constancy in Man)
Form
musical performances
Songscape
Be gone, be gone thou perjured man

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Songscape

  • Songscapes Conference (14) + -
  • Theseus, O Theseus, hark! but yet in vain (4) + -
  • Venus, redress a wrong that's done (4) + -
  • Be gone, be gone thou perjured man (2) + -
  • Cloris your selfe you so excell (2) + -
  • Come my Lucasta heer's the Grove (2) + -
  • Cælia, thy bright Angel's face (2) + -
  • When thou, poor Excommunicate (2) + -
  • Amarantha sweet & fair (1) + -
  • Give me more Love, or more Disdain (1) + -
  • I long to sing the seidge of Troy (1) + -
  • It is not that I love you lesse (1) + -
  • Till I beheld fair Calia's face (1) + -
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