Ayres and dialogues, for one, two, and three voyces

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: Aged man that moves these fields (A Dialogue betwixt Time and a Pilgrime)

: Am I dispised because you say (To his Mistress objecting his Age)

: Amarantha sweet & fair (To Amarantha, To dishevell her haire)

: As Cælia rested in the shade (A Pastorall Dialogue betwixt Cleon and Cælia)

: As Cælia rested in the shade (A Pastorall Dialogue betwixt Cleon and Cælia)

: Aske me why I send you here (The Primrose)

: Bacchus, I-acchus, fill our Brains (A Bacchanall)

: Be gone, be gone thou perjured man (No Constancy in Man)

: Be gone, be gone thou perjured man (No Constancy in Man)

: Canst thou love me and yet doubt (The Heart entire)

: Careless of Love and free from Fears (The Surprise)

: Cloris your selfe you so excell (To the same Lady, singing the former Song)

: Cloris your selfe you so excell (To the same Lady, singing the former Song)

: Come Chloris hie we to the Bower (Chlrois taking the Ayre)

: Come heavy Souls, oppressed with the weight (Desperato's Banquet)

: Come heavy Souls, oppressed with the weight (Desperato's Banquet)

: Come heavy Souls, oppressed with the weight (Desperato's Banquet)

: Come my Lucasta heer's the Grove (Love and Loyalty)

: Come my Sweet, whilst every strain (Love and Musick)

: Come, come, thou glorious object of my sight (Beauty Paramont)

: Cælia, thy bright Angel's face (The Celestiall Mistress)

: Cælia, thy bright Angel's face (The Celestiall Mistress)

: Dearest do not now delay me (To his Mistress upon his going to travell)

: Distressed Pilgrim whose dark clouded eyes (A Dialogue betwixt Cordanus and Amoret, on a Lost Heart)

: Farewell fair Saint, may not the sea and wind (To his Mistress going to Sea)

: Front Matter

: Gaze not on Swanns in whose soft brest (Beauties Excellency)

: Give me more Love, or more Disdain (Mediocrity in Love rejected)

: Go thou Emblem of my heart (Upon a Crowned Heart sent to a Cruell Mistress)

: Grieve not, dear Love, although we often part

: He that loves a rosie cheek (Disdaine returned)

: I long to sing the seidge of Troy (Anacreon's Ode, called, The Lute, Englished and to be sung by a Basse alone)

: If my Mistress fix her eye (The Captive Lover)

: If when the Sun at Noon displayes (Night and Day to his Mistress)

: Images of the Book Ayres and dialogues for one, two, and three voyces

: Imbre lachrymarum largo Genas spargo (An Eccho)

: Inquel gelato core (Tavola)

: Inquel gelato core (Tavola)

: It is not that I love you lesse (The self Banished)

: Keep on your veile and hide your eye (To a Lady putting off her veile)

: Ladies who gild the glittering Noon (Beauties Eclypsed)

: Ladies, you whose smooth and dainty Skin (A caution to faire Ladies)

: Lately on yonder swelling Bush

: Lovely Chloris through thine eyes (Love above Beauty)

: Lovely Chloris through thine eyes (Love above Beauty)

: Musick, thou Queen of souls (The Power of Musick)

: O now the certain cause I know (To a Lady weeping)

: O the fickle state of Lovers (The fickle state of Lovers)

: Sing fair Clorinda whilst you move

: The Day's returned, and so are we, to pay (An Anniversary on the Nuptials of John Earle of Bridgewater, July 12. 1652.)

: Theseus, O Theseus, hark! but yet in vain (Ariadne deserted by Theseus Sittinge uppon a Rock in the Island Naxos thus Complaines

: Theseus, O Theseus, hark! but yet in vain (Ariadne deserted by Theseus Sittinge uppon a Rock in the Island Naxos thus Complaines

: Theseus, O Theseus, hark! but yet in vain (Ariadne deserted by Theseus Sittinge uppon a Rock in the Island Naxos thus Complaines)

: Theseus, O Theseus, hark! but yet in vain (Ariadne deserted by Theseus Sittinge uppon a Rock in the Island Naxos thus Complaines)

: Theseus_Book_1

: Theseus_Book_2

: Thou Shepheard whose intentive eye (In praise of his Mistress)

: Thou art so fair, and yong withall (Youth and Beauty)

: Though my torment far exceeds (A Smile, or Frown)

: Till I beheld fair Calia's face (Cælia singing)

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