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Early Modern Songscapes - English ayres and their dynamic acoustic environments


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  2. While I listen to thy voyce (x)
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(1 - 5 of 5)
As Cælia rested in the shade (A Pastorall Dialogue betwixt Cleon and Cælia)
Item
As Cælia rested in the shade (A Pastorall Dialogue betwixt Cleon and Cælia)
Form
musical performances
Songscape
As Cælia rested in the shade
Be gone, be gone thou perjured man (No Constancy in Man)
Item
Be gone, be gone thou perjured man (No Constancy in Man)
Form
musical performances
Songscape
Be gone, be gone thou perjured man
Cælia, thy bright Angel's face (The Celestiall Mistress)
Item
Cælia, thy bright Angel's face (The Celestiall Mistress)
Form
musical performances
Songscape
Cælia, thy bright Angel's face
Cloris your selfe you so excell (To the same Lady, singing the former Song)
Item
Cloris your selfe you so excell (To the same Lady, singing the former Song)
Form
musical performances
Songscape
Cloris your selfe you so excell
When thou, poor Excommunicate (To his Inconstant Mistress)
Item
When thou, poor Excommunicate (To his Inconstant Mistress)
Form
musical performances
Songscape
When thou, poor Excommunicate

Songscape

  • As Cælia rested in the shade (1) + -
  • Be gone, be gone thou perjured man (1) + -
  • Cloris your selfe you so excell (1) + -
  • Cælia, thy bright Angel's face (1) + -
  • When thou, poor Excommunicate (1) + -

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