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Ayres and Dialogues
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While I listen to thy voyce
(x)
Keep on your veile and hide your eye
(x)
Come my Lucasta heer's the Grove
(x)
Theseus, O Theseus, hark! but yet in vain
(x)
I long to sing the seidge of Troy
(x)
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Cælia, thy bright Angel's face (The Celestiall Mistress)
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editions
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Cælia, thy bright Angel's face
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Dearest do not now delay me (To his Mistress upon his going to travell)
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editions
Songscape
Dearest do not now delay me
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As Cælia rested in the shade (A Pastorall Dialogue betwixt Cleon and Cælia)
Form
musical performances
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As Cælia rested in the shade
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Be gone, be gone thou perjured man (No Constancy in Man)
Form
musical performances
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Be gone, be gone thou perjured man
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Cælia, thy bright Angel's face (The Celestiall Mistress)
Form
musical performances
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Cælia, thy bright Angel's face
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Cloris your selfe you so excell (To the same Lady, singing the former Song)
Form
musical performances
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Cloris your selfe you so excell
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Lovely Chloris through thine eyes (Love above Beauty)
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musical performances
Songscape
Lovely Chloris through thine eyes
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Venus, redress a wrong that's done (A Complaint Against Cupid)
Form
musical performances
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Venus, redress a wrong that's done
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Venus, redress a wrong that's done (A Complaint Against Cupid)
Form
musical performances
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Venus, redress a wrong that's done
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When thou, poor Excommunicate (To his Inconstant Mistress)
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musical performances
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When thou, poor Excommunicate
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Ladies who gild the glittering Noon (Beauties Eclypsed)
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editions
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Ladies who gild the glittering Noon
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Ladies, you whose smooth and dainty Skin (A caution to faire Ladies)
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Ladies, you whose smooth and dainty Skin
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Lovely Chloris through thine eyes (Love above Beauty)
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editions
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Lovely Chloris through thine eyes
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Musick, thou Queen of souls (The Power of Musick)
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Musick, thou Queen of souls
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O now the certain cause I know (To a Lady weeping)
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O now the certain cause I know
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O the fickle state of Lovers (The fickle state of Lovers)
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editions
Songscape
O the fickle state of Lovers
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Sing fair Clorinda whilst you move
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editions
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Sing fair Clorinda whilst you move
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The Day's returned, and so are we, to pay (An Anniversary on the Nuptials of John Earle of Bridgewater, July 12. 1652.)
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editions
Songscape
The Day's returned, and so are we, to pay
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Thou Shepheard whose intentive eye (In praise of his Mistress)
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editions
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Thou Shepheard whose intentive eye
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Thou art so fair, and yong withall (Youth and Beauty)
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Songscape
Thou art so fair, and yong withall
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