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Early Modern Songscapes - English ayres and their dynamic acoustic environments


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  • Ayres and Dialogues
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  2. Thou art so fair, and yong withall (x)
  3. Aged man that moves these fields (x)
  4. Till I beheld fair Calia's face (x)
  5. musical performances (x)
  6. Come heavy Souls, oppressed with the weight (x)
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FumertonPlenary
Item
FumertonPlenary
Songscape
Songscapes Conference
TrettienPlenary
Item
TrettienPlenary
Songscape
Songscapes Conference
Front Matter
Item
Front Matter
Distressed Pilgrim whose dark clouded eyes (A Dialogue betwixt Cordanus and Amoret, on a Lost Heart)
Item
Distressed Pilgrim whose dark clouded eyes (A Dialogue betwixt Cordanus and Amoret, on a Lost Heart)
Form
editions
Songscape
Distressed Pilgrim whose dark clouded eyes
Ayres and dialogues, for one, two, and three voyces
Item
Ayres and dialogues, for one, two, and three voyces
Composer
Henry Lawes
EMS Conference Materials
Item
EMS Conference Materials
Images of the Book Ayres and dialogues for one, two, and three voyces
Item
Images of the Book Ayres and dialogues for one, two, and three voyces
Photo Gallery
Item
Photo Gallery
Book Viewer
Item
Book Viewer

Pages

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Form

  • editions (50) + -
  • musical notation (7) + -
  • music books (4) + -
  • autographs (manuscripts) (1) + -

Songscape

  • Songscapes Conference (6) + -
  • Theseus, O Theseus, hark! but yet in vain (3) + -
  • Venus, redress a wrong that's done (3) + -
  • Inquel gelato core (2) + -
  • Θέλω λέγειν Ἀτρείδας (2) + -
  • Am I dispised because you say (1) + -
  • Amarantha sweet & fair (1) + -
  • As Cælia rested in the shade (1) + -
  • Aske me why I send you here (1) + -
  • Bacchus, I-acchus, fill our Brains (1) + -
  • Be gone, be gone thou perjured man (1) + -
  • Canst thou love me and yet doubt (1) + -
  • Careless of Love and free from Fears (1) + -
  • Cloris your selfe you so excell (1) + -
  • Come Chloris hie we to the Bower (1) + -
  • Come my Lucasta heer's the Grove (1) + -
  • Come my Sweet, whilst every strain (Love and Musick) (1) + -
  • Come, come, thou glorious object of my sight (1) + -
  • Cælia, thy bright Angel's face (1) + -
  • Dearest do not now delay me (1) + -
  • Distressed Pilgrim whose dark clouded eyes (1) + -
  • Farewell fair Saint, may not the sea and wind (1) + -
  • Gaze not on Swanns in whose soft brest (1) + -
  • Give me more Love, or more Disdain (1) + -
  • Go thou Emblem of my heart (1) + -
  • Grieve not, dear Love, although we often part (1) + -
  • He that loves a rosie cheek (1) + -
  • I long to sing the seidge of Troy (1) + -
  • If my Mistress fix her eye (1) + -
  • If when the Sun at Noon displayes (1) + -
  • Imbre lachrymarum largo Genas spargo (1) + -
  • It is not that I love you lesse (1) + -
  • Keep on your veile and hide your eye (1) + -
  • Ladies who gild the glittering Noon (1) + -
  • Ladies, you whose smooth and dainty Skin (1) + -
  • Lately on yonder swelling Bush (1) + -
  • Lovely Chloris through thine eyes (1) + -
  • Musick, thou Queen of souls (1) + -
  • O now the certain cause I know (1) + -
  • O the fickle state of Lovers (1) + -
  • Sing fair Clorinda whilst you move (1) + -
  • The Day's returned, and so are we, to pay (1) + -
  • Thou Shepheard whose intentive eye (1) + -
  • Though my torment far exceeds (1) + -
  • Till now I never did believe (1) + -
  • Tis Wine that inspires (1) + -
  • Tis true (Fair Celia) that by thee I live (1) + -
  • Two hundred minutes are run down (1) + -
  • When on the Altar of my hand (1) + -
  • When thou, poor Excommunicate (1) + -
  • While I listen to thy voyce (1) + -
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