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Ayres and Dialogues
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Distressed Pilgrim whose dark clouded eyes
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Thou Shepheard whose intentive eye
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Theseus_Book_2
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musical notation
Songscape
Theseus, O Theseus, hark! but yet in vain
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Theseus_Book_1
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musical notation
Songscape
Theseus, O Theseus, hark! but yet in vain
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Front Matter
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Ayres and dialogues, for one, two, and three voyces
Composer
Henry Lawes
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EMS Conference Materials
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Images of the Book Ayres and dialogues for one, two, and three voyces
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Image from Ayres and Dialogues, For One, Two, and Three Voyces (London, 1653), Folger L638, copy 1, A2v. By permission of the Folger Shakespeare Library.
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Image from Ayres and Dialogues, For One, Two, and Three Voyces (London, 1653), Folger L638, copy 1, A1r. By permission of the Folger Shakespeare Library.
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Come my Sweet, whilst every strain (Love and Musick)
Form
editions
Songscape
Come my Sweet, whilst every strain (Love and Musick)
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Come, come, thou glorious object of my sight (Beauty Paramont)
Form
editions
Songscape
Come, come, thou glorious object of my sight
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Cælia, thy bright Angel's face (The Celestiall Mistress)
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editions
Songscape
Cælia, thy bright Angel's face
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Farewell fair Saint, may not the sea and wind (To his Mistress going to Sea)
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editions
Songscape
Farewell fair Saint, may not the sea and wind
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Gaze not on Swanns in whose soft brest (Beauties Excellency)
Form
editions
Songscape
Gaze not on Swanns in whose soft brest
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Grieve not, dear Love, although we often part
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editions
Songscape
Grieve not, dear Love, although we often part
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Careless of Love and free from Fears (The Surprise)
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editions
Songscape
Careless of Love and free from Fears
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Cloris your selfe you so excell (To the same Lady, singing the former Song)
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editions
Songscape
Cloris your selfe you so excell
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Come Chloris hie we to the Bower (Chlrois taking the Ayre)
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editions
Songscape
Come Chloris hie we to the Bower
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Come heavy Souls, oppressed with the weight (Desperato's Banquet)
Form
editions
Songscape
Come heavy Souls, oppressed with the weight
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