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Early Modern Songscapes - English ayres and their dynamic acoustic environments


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  2. As Cælia rested in the shade (x)
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Tenor Lawrence Wiliford and Lutenist Lucas Harris
Item
Tenor Lawrence Wiliford and Lutenist Lucas Harris
Instruments
lute
Tenor Lawrence Wiliford and Lutenist Lucas Harris
Item
Tenor Lawrence Wiliford and Lutenist Lucas Harris
Instruments
lute
Tenor Lawrence Wiliford and Lutenist Lucas Harris
Item
Tenor Lawrence Wiliford and Lutenist Lucas Harris
Instruments
lute
Recording Engineer Dennis Patterson
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Recording Engineer Dennis Patterson
20190209-Vic(afternoon)-Edited_2
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20190209-Vic(afternoon)-Edited_2
Front Matter
Item
Front Matter
Book Viewer
Item
Book Viewer
Come heavy Souls, oppressed with the weight (Desperato's Banquet)
Item
Come heavy Souls, oppressed with the weight (Desperato's Banquet)
Form
books
Songscape
Come heavy Souls, oppressed with the weight
Image from Ayres and Dialogues, For One, Two, and Three Voyces (London, 1653), Folger L638, copy 1, A2v. By permission of the Folger Shakespeare Library.
Item
Image from Ayres and Dialogues, For One, Two, and Three Voyces (London, 1653), Folger L638, copy 1, A2v. By permission of the Folger Shakespeare Library.
Image from Ayres and Dialogues, For One, Two, and Three Voyces (London, 1653), Folger L638, copy 1, A1r. By permission of the Folger Shakespeare Library.
Item
Image from Ayres and Dialogues, For One, Two, and Three Voyces (London, 1653), Folger L638, copy 1, A1r. By permission of the Folger Shakespeare Library.

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Form

  • musical notation (2) + -
  • books (1) + -

Songscape

  • Theseus, O Theseus, hark! but yet in vain (2) + -
  • Come heavy Souls, oppressed with the weight (1) + -

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