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Early Modern Songscapes - English ayres and their dynamic acoustic environments


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Θέλω λέγειν Ἀτρείδας (Τῶν ἈΝΑΚΡΈΟΝΤΟΣ εἴς Λύραν. α´)
Item
Θέλω λέγειν Ἀτρείδας (Τῶν ἈΝΑΚΡΈΟΝΤΟΣ εἴς Λύραν. α´)
Form
music books, musical notation
Songscape
Θέλω λέγειν Ἀτρείδας
Come heavy Souls, oppressed with the weight (Desperato's Banquet)
Item
Come heavy Souls, oppressed with the weight (Desperato's Banquet)
Form
music books, musical notation
Songscape
Come heavy Souls, oppressed with the weight
Inquel gelato core (Tavola)
Item
Inquel gelato core (Tavola)
Form
music books, musical notation
Songscape
Inquel gelato core
Image from Ayres and Dialogues, For One, Two, and Three Voyces (London, 1653), Folger L638, copy 1, A2v. By permission of the Folger Shakespeare Library.
Item
Image from Ayres and Dialogues, For One, Two, and Three Voyces (London, 1653), Folger L638, copy 1, A2v. By permission of the Folger Shakespeare Library.
Image from Ayres and Dialogues, For One, Two, and Three Voyces (London, 1653), Folger L638, copy 1, A1r. By permission of the Folger Shakespeare Library.
Item
Image from Ayres and Dialogues, For One, Two, and Three Voyces (London, 1653), Folger L638, copy 1, A1r. By permission of the Folger Shakespeare Library.

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Form

  • editions (53) + -
  • musical performances (31) + -
  • musical notation (8) + -
  • music books (5) + -
  • autographs (manuscripts) (1) + -
  • books (1) + -

Songscape

  • Songscapes Conference (25) + -
  • Theseus, O Theseus, hark! but yet in vain (7) + -
  • Venus, redress a wrong that's done (7) + -
  • As Cælia rested in the shade (4) + -
  • Be gone, be gone thou perjured man (3) + -
  • Cloris your selfe you so excell (3) + -
  • Come heavy Souls, oppressed with the weight (3) + -
  • Come my Lucasta heer's the Grove (3) + -
  • Cælia, thy bright Angel's face (3) + -
  • Lovely Chloris through thine eyes (3) + -
  • When thou, poor Excommunicate (3) + -
  • While I listen to thy voyce (3) + -
  • Amarantha sweet & fair (2) + -
  • Give me more Love, or more Disdain (2) + -
  • I long to sing the seidge of Troy (2) + -
  • Inquel gelato core (2) + -
  • It is not that I love you lesse (2) + -
  • Till I beheld fair Calia's face (2) + -
  • Θέλω λέγειν Ἀτρείδας (2) + -
  • Aged man that moves these fields (1) + -
  • Am I dispised because you say (1) + -
  • Aske me why I send you here (1) + -
  • Bacchus, I-acchus, fill our Brains (1) + -
  • Canst thou love me and yet doubt (1) + -
  • Careless of Love and free from Fears (1) + -
  • Come Chloris hie we to the Bower (1) + -
  • Come my Sweet, whilst every strain (Love and Musick) (1) + -
  • Come, come, thou glorious object of my sight (1) + -
  • Dearest do not now delay me (1) + -
  • Distressed Pilgrim whose dark clouded eyes (1) + -
  • Fantasy (1) + -
  • Farewell fair Saint, may not the sea and wind (1) + -
  • Gaze not on Swanns in whose soft brest (1) + -
  • Go thou Emblem of my heart (1) + -
  • Grieve not, dear Love, although we often part (1) + -
  • He that loves a rosie cheek (1) + -
  • If my Mistress fix her eye (1) + -
  • If when the Sun at Noon displayes (1) + -
  • Imbre lachrymarum largo Genas spargo (1) + -
  • Keep on your veile and hide your eye (1) + -
  • Ladies who gild the glittering Noon (1) + -
  • Ladies, you whose smooth and dainty Skin (1) + -
  • Lately on yonder swelling Bush (1) + -
  • Musick, thou Queen of souls (1) + -
  • O now the certain cause I know (1) + -
  • O the fickle state of Lovers (1) + -
  • Sing fair Clorinda whilst you move (1) + -
  • The Day's returned, and so are we, to pay (1) + -
  • Thou Shepheard whose intentive eye (1) + -
  • Thou art so fair, and yong withall (1) + -
  • Till now I never did believe (1) + -
  • Tis Wine that inspires (1) + -
  • Tis true (Fair Celia) that by thee I live (1) + -
  • Two hundred minutes are run down (1) + -
  • When on the Altar of my hand (1) + -
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